{"id":251,"date":"2020-07-08T09:00:00","date_gmt":"2020-07-08T07:00:00","guid":{"rendered":"http:\/\/www.dainst.blog\/eurasien-abteilung\/?p=251"},"modified":"2020-07-24T17:41:27","modified_gmt":"2020-07-24T15:41:27","slug":"keramik-und-kulturelle-grenzen-im-hissar-tal-tadschikistan-bronzezeit","status":"publish","type":"post","link":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/keramik-und-kulturelle-grenzen-im-hissar-tal-tadschikistan-bronzezeit\/","title":{"rendered":"Keramik und kulturelle Grenzen im Hissar-Tal, Tadschikistan (Bronzezeit)"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"160\" src=\"https:\/\/www.dainst.blog\/eurasien-abteilung\/wp-content\/uploads\/sites\/19\/2020\/06\/Eurasien-Blog-Karte-1-1024x160.jpg\" alt=\"\" class=\"wp-image-282\" srcset=\"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/Eurasien-Blog-Karte-1-1024x160.jpg 1024w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/Eurasien-Blog-Karte-1-300x47.jpg 300w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/Eurasien-Blog-Karte-1-768x120.jpg 768w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/Eurasien-Blog-Karte-1-750x117.jpg 750w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/Eurasien-Blog-Karte-1.jpg 1250w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong><em>English version below.<\/em><\/strong> Dieses einzigartige Gef\u00e4\u00df gefunden in der N\u00e4he von Tandyrjul kombiniert drei kulturelle Traditionen: die Form, die mit der Vakhsh-Kultur zusammenh\u00e4ngt, die dekorative Technik, die mit den Traditionen der fr\u00fchen Eisenzeit verbunden ist (Malerei in roter Farbe) und das dekorative Muster, das Verbindungen zeigt mit den Andronovo T\u00f6pfereien. Der Gegenstand zeugt von der Flexibilit\u00e4t kultureller Grenzen in der Keramikproduktion am Ende der Bronzezeit.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1024\" height=\"669\" src=\"https:\/\/www.dainst.blog\/eurasien-abteilung\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_1-Bemalte-Keramik-1024x669.jpg\" alt=\"\" data-id=\"252\" data-link=\"https:\/\/www.dainst.blog\/eurasien-abteilung\/?attachment_id=252\" class=\"wp-image-252\" srcset=\"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_1-Bemalte-Keramik-1024x669.jpg 1024w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_1-Bemalte-Keramik-300x196.jpg 300w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_1-Bemalte-Keramik-768x502.jpg 768w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_1-Bemalte-Keramik-1536x1004.jpg 1536w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_1-Bemalte-Keramik-750x490.jpg 750w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_1-Bemalte-Keramik.jpg 1650w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\"><br>Konkaver Becher, handgemacht, mit geometrisch rot bemaltem Ornament.<br>\u00a9 Y. Kutimov<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"266\" src=\"https:\/\/www.dainst.blog\/eurasien-abteilung\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_2-Bemalte-Keramik-1-1024x266.jpg\" alt=\"\" class=\"wp-image-254\" srcset=\"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_2-Bemalte-Keramik-1-1024x266.jpg 1024w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_2-Bemalte-Keramik-1-300x78.jpg 300w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_2-Bemalte-Keramik-1-768x199.jpg 768w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_2-Bemalte-Keramik-1-1536x399.jpg 1536w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_2-Bemalte-Keramik-1-2048x532.jpg 2048w, https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-content\/uploads\/sites\/19\/2020\/06\/EL_08_Figure_2-Bemalte-Keramik-1-750x195.jpg 750w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption><br>Zeichnung des Bechers und des Dekors.<br>\u00a9 Y. Kutimov<br><br><\/figcaption><\/figure>\n\n\n\n<p><strong><em>This unique vessel found in the vicinity of the site of Tandyrjul combines three cultural traditions: the shape related to the Vakhsh culture, the decorative technique related to the Early Iron Age traditions (painting of red color) and the decorative pattern which shows links with the Andronovo potteries. The item testifies to the flexibility of cultural boundaries in pottery production at the end of the Bronze Age.<\/em><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table is-style-regular\"><table><tbody><tr><td><strong>Beitrag von:<\/strong><br>Elise Luneau, Yuri Kutimov, Tatjana Germonovna Filimonova &nbsp; <br><br><strong>Kooperationspartner: <\/strong><br>Akhmadi Donish Institut f\u00fcr Geschichte, Arch\u00e4ologie und Ethnographie<br><br>Akademie der Wissenschaften der Republik Tadschikistan<br><br>Institute for the History of Material Culture<br><br>Russian Academy of Sciences &nbsp;<\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>F\u00f6rderung:<\/strong> Deutsche Forschungsgemeinschaft<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bilingual post. Dieses einzigartige Gef\u00e4\u00df gefunden in der N\u00e4he von Tandyrjul kombiniert drei kulturelle Traditionen.<\/p>\n","protected":false},"author":78,"featured_media":252,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[33],"tags":[],"class_list":["post-251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-zentralasien"],"_links":{"self":[{"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/posts\/251"}],"collection":[{"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/users\/78"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/comments?post=251"}],"version-history":[{"count":6,"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/posts\/251\/revisions"}],"predecessor-version":[{"id":440,"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/posts\/251\/revisions\/440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/media\/252"}],"wp:attachment":[{"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/media?parent=251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/categories?post=251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dainst.blog\/archaeology-in-eurasia\/wp-json\/wp\/v2\/tags?post=251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}