{"id":732,"date":"2020-12-15T15:14:44","date_gmt":"2020-12-15T14:14:44","guid":{"rendered":"https:\/\/www.dainst.blog\/daistanbul_blog\/?p=732"},"modified":"2020-12-18T09:19:46","modified_gmt":"2020-12-18T08:19:46","slug":"arsivi-kazmak","status":"publish","type":"post","link":"https:\/\/www.dainst.blog\/daistanbul_blog\/2020\/12\/15\/arsivi-kazmak\/","title":{"rendered":"Ar\u015fivi Kazmak"},"content":{"rendered":"\n<p class=\"has-medium-font-size\"><strong>Ve Erna Eckstein\u2019\u0131 Bulmak<\/strong><\/p>\n\n\n\n<p style=\"font-size:18px\">Erna Eckstein sergisi online olarak izleyicilerle bulu\u015ftu. \u0130lk g\u00fcnden itibaren g\u00fczel geri d\u00f6n\u00fc\u015f\u00fcmler ald\u0131k. Gelen tepkilerin bir k\u0131sm\u0131 ar\u015fivden \u00e7\u0131kan malzemenin yarat\u0131c\u0131 bir \u015fekilde kullan\u0131lmas\u0131 ile ilgili \u00f6vg\u00fclerdi. Belli ki ar\u015fivde yap\u0131lan ke\u015fif, sadece ar\u015fivciyi de\u011fil buna \u015fahit olan\u0131 da heyecanland\u0131r\u0131yor. Pek \u00e7ok ar\u015fiv materyalinin raflarda unutuldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcrse tabii ki bu \u00e7ok anla\u015f\u0131l\u0131r bir reaksiyon.<\/p>\n\n\n\n<p style=\"font-size:18px\">Ar\u015fivler \u00e7o\u011funlukla birka\u00e7 merakl\u0131s\u0131 d\u0131\u015f\u0131nda s\u0131k\u0131c\u0131 mekanlard\u0131r. Genellikle&nbsp; ar\u015fivden heyecanl\u0131 bir \u00f6yk\u00fc \u00e7\u0131karmak bilimsel bir veriye ula\u015fmaktan daha zordur. Fakat bu defa \u00f6yle olmad\u0131. Bu defa ar\u015fiv, i\u00e7inden \u00e7\u0131kan hikaye ile bu \u00fclkedeki &nbsp;varl\u0131klar\u0131na bor\u00e7lu oldu\u011fumuz iki insana vefa borcumuzu \u00f6dememiz i\u00e7in ortaya serdi i\u00e7inde ne var ne yoksa. Ama \u00f6nce biraz kafam\u0131z\u0131 kar\u0131\u015ft\u0131rarak.<\/p>\n\n\n\n<p style=\"font-size:18px\">Erna\u2019n\u0131n ar\u015fiv raflar\u0131nda bekleyen dialar\u0131n\u0131 ilk elimize ald\u0131\u011f\u0131m\u0131zda kutunun \u00fczerinde yazan Albert Eckstein yaz\u0131s\u0131n\u0131 hi\u00e7 sorgulamad\u0131k. \u201eAlbert\u2019in dialar\u0131n\u0131\u201c &nbsp;dijitalle\u015ftirdikten&nbsp; sonra meta datalar ve dialar \u00fczerinde \u00e7al\u0131\u015fmaya ba\u015flad\u0131k. Dijital g\u00f6r\u00fcnt\u00fclere bakarken farkettik ki; g\u00f6r\u00fcnt\u00fcler ile Albert aras\u0131nda kurulan ili\u015fkide bir terslik vard\u0131. G\u00f6r\u00fcnt\u00fcler daha \u00e7ok 1950\u2019lerden 1980\u2019lere kadar olan zamandan yani Albert \u00f6ld\u00fckten sonraki bir zaman diliminden imajlar\u0131 i\u00e7ermekteydi. Bu&nbsp; dialar\u0131n yans\u0131tt\u0131\u011f\u0131 c\u0131v\u0131l c\u0131v\u0131l renkli g\u00f6r\u00fcnt\u00fcler, Albert\u2019in halihaz\u0131rda ar\u015fivimizdeki siyah beyaz foto\u011fraflar\u0131yla sadece renkleriyle de\u011fil, \u00e7ekildikleri zaman bak\u0131m\u0131ndan da ayr\u0131l\u0131yorlard\u0131. O zaman bu dialar Albert\u2019e ait de\u011fildi. Ama dialara biraz daha dikkatli bak\u0131nca; hay\u0131r bunlar Albert\u2019indi: \u00e7\u00fcnk\u00fc baz\u0131 \u00f6nemli ya da \u00f6nemsiz detaylar tamamen ayn\u0131yd\u0131. Sa\u00e7 \u00f6rg\u00fcleri, leylekler, g\u00fclen kad\u0131n ve \u00e7ocuk y\u00fczleri, spolialar, \u015fehirler ve mimari\u2026..Bu foto\u011fraflar her bak\u0131mdan birbirine \u00e7ok benziyordu. Bizi k\u0131\u015fk\u0131rtan \u015fu basit soruydu: Peki bu dialar kimindi? Bu sorunun cevab\u0131 sadece bizim merak\u0131m\u0131z\u0131 tatmin etmekten \u00f6te ar\u015fivimizin g\u00fcvenirli\u011fi a\u00e7\u0131s\u0131ndan da bulunmal\u0131yd\u0131. Evet ar\u015fivler g\u00fcvenilir, d\u00fcr\u00fcst mekanlard\u0131r. T\u0131pk\u0131 k\u00fct\u00fcphaneler gibi kamuya hizmet etmek d\u0131\u015f\u0131nda bir ama\u00e7lar\u0131 olmayan ve kap\u0131lar\u0131n\u0131 herhangi bir \u00fccret talep etmeden ziyaret\u00e7ilerine a\u00e7an yegane kurumlard\u0131r. Bu nedenle biz de tabiri caizse elimize kazmalar\u0131m\u0131z\u0131 al\u0131p ar\u015fivi kazmaya giri\u015ftik. Bu materyalin bize nas\u0131l ve ne zaman ula\u015ft\u0131\u011f\u0131 ile ilgili bilgileri Erna\u2019n\u0131n hayat hikayesi ile birle\u015ftirdi\u011fimizde her \u015fey yerli yerine oturmu\u015ftu. Evet bu dialar Erna\u2019n\u0131nd\u0131! Erna, sergide de anlat\u0131ld\u0131\u011f\u0131 \u00fczere e\u015finin \u00f6l\u00fcm\u00fcnden sonra yeniden T\u00fcrkiye\u2019ye gelmi\u015f; daha \u00f6nce yar\u0131m b\u0131rakt\u0131klar\u0131 bir i\u015fi tamamlam\u0131\u015ft\u0131. Ve bu tamamlay\u0131\u015f t\u00fcm o siyah beyazl\u0131\u011f\u0131 renklere boyam\u0131\u015ft\u0131 sanki. B\u00fct\u00fcn o ba\u015far\u0131l\u0131 kariyerine ve \u00e7al\u0131\u015fkanl\u0131\u011f\u0131na&nbsp; ra\u011fmen Erna da, ke\u015ffedilmek i\u00e7in \u00f6zel bir gayret ve dikkati beklemi\u015fti. Ve ar\u015fivci, Albert Eckstein isimli dosyan\u0131n ad\u0131n\u0131 de\u011fi\u015ftirirken gizli bir haz alm\u0131\u015ft\u0131.<\/p>\n\n\n\n<p style=\"font-size:18px\">Ar\u015fivi dijitalize etmek konusunda elimizde olan imkanlar\u0131n yard\u0131m\u0131 ile bug\u00fcn art\u0131k ar\u015fiv materyali daha b\u00fcy\u00fck kalabal\u0131klara kolayca ula\u015fmaktad\u0131r. Ayr\u0131ca ar\u015fivler, ger\u00e7ek veya online sergiler yoluyla sadece bilimsel ara\u015ft\u0131rmalar i\u00e7in bir kaynak olman\u0131n \u00f6tesinde daha kalabal\u0131k bir kitleye hikayesini anlatan&nbsp; birer mekana d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Ar\u015fivin varolu\u015f amac\u0131 t\u0131pk\u0131 nadire kabineleri gibi kendini korumak ve saklamak ve bir m\u00fcze gibi duvarlar\u0131n\u0131n d\u0131\u015f\u0131na \u00e7\u0131kmakt\u0131r. Ve yeni dijital d\u00fcnyan\u0131n olanaklar\u0131 tabii ki bunu kolayla\u015ft\u0131rmaktad\u0131r. Fakat ar\u015fivler, \u00f6zellikle&nbsp; bilginin h\u0131zla popla\u015ft\u0131\u011f\u0131 bir zamanda bu dijital d\u00fcnyan\u0131n par\u00e7as\u0131 haline gelirken ciddiyeti ve a\u011f\u0131rba\u015fl\u0131l\u0131\u011f\u0131ndan hi\u00e7 \u00f6d\u00fcn vermeden kamu yarar\u0131na bunu yapmaktad\u0131r. B\u00fct\u00fcn bu yeni imkanlar, ar\u015fivi kazman\u0131n \u00f6nemini daha da artt\u0131rmaktad\u0131r. Bu serginin bize g\u00f6sterdi\u01e7i gibi.<\/p>\n\n\n\n<p style=\"font-size:18px\"><a href=\"https:\/\/www.dainst.blog\/visual-narratives\/tr\/erna-eckstein-fotografik-animsamalar\/\">https:\/\/www.dainst.blog\/visual-narratives\/tr\/erna-eckstein-fotografik-animsamalar\/<\/a><\/p>\n\n\n\n<p class=\"has-text-align-right\" style=\"font-size:18px\">Berna G\u00fcler, <em>Alman Arkeoloji Enstit\u00fcs\u00fc<\/em> <em>Foto\u01e7raf Ar\u015fivi<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ve Erna Eckstein\u2019\u0131 Bulmak Erna Eckstein sergisi online olarak izleyicilerle bulu\u015ftu. \u0130lk g\u00fcnden itibaren g\u00fczel geri d\u00f6n\u00fc\u015f\u00fcmler ald\u0131k. Gelen tepkilerin bir k\u0131sm\u0131 ar\u015fivden \u00e7\u0131kan malzemenin yarat\u0131c\u0131 bir \u015fekilde kullan\u0131lmas\u0131 ile ilgili \u00f6vg\u00fclerdi. Belli ki ar\u015fivde yap\u0131lan ke\u015fif, sadece ar\u015fivciyi de\u011fil buna \u015fahit olan\u0131 da heyecanland\u0131r\u0131yor. Pek \u00e7ok ar\u015fiv materyalinin raflarda unutuldu\u011fu d\u00fc\u015f\u00fcn\u00fcl\u00fcrse tabii ki bu [&hellip;]<\/p>\n","protected":false},"author":102,"featured_media":726,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-732","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/posts\/732"}],"collection":[{"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/users\/102"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/comments?post=732"}],"version-history":[{"count":5,"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/posts\/732\/revisions"}],"predecessor-version":[{"id":799,"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/posts\/732\/revisions\/799"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/media\/726"}],"wp:attachment":[{"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/media?parent=732"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/categories?post=732"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dainst.blog\/daistanbul_blog\/wp-json\/wp\/v2\/tags?post=732"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}