Tepe Telegrams

From the Göbekli Tepe Research Project

Page 10 of 11

Site closed to visitors until end of the year

Update: Completion of both canopies was slightly delayed and could not be achieved by the end of 2016 – the site remains closed to visitors as of yet; as soon as an official new opening date is announced, it will be made public here as well.

Long in planning, construction of two permanent shelters above the excavated areas at Göbekli Tepe’s south-eastern and north-western depressions are finally about to start as the Turkish Ministry of Culture and Tourism was announcing [external link]. These roofs will not only significantly contribute to the protection of the archaeological substance, but also make accessibility for visitors easier, providing an increased experience of the early Neolithic architecture. For us archaeologists working on site it also opens up improved conditions to carefully excavate rather sensitive features independent of changing weather conditions.

roof1

Design of the membrane canopy in so-called Main Excavation Area (Visualisation: kleyer.koblitz.letzel.freivogel).

roof

Underneath the membrane canopy above Enclosure D (Visualisation: kleyer.koblitz.letzel.freivogel).

As just announced, the site would be closed for visitors between June 13 and December 31 of this year (i.e. 2016). Şanlıurfa’s Haleplibahçe Museum [external link] however, will still be open welcoming visitors during this period. It houses a larger number of finds from Göbekli Tepe and other Pre-Pottery Neolithic sites of the region and even offers the chance to enter a 1:1 replica of Göbekli Tepe’s Enclosure D, the so far largest and best preserved of the monumental enclosure to characteristic for the site.

museum

An accessible 1:1 replica of Enclosure D can be visited in Urfa’s archaeological museum (Photo: J. Notroff).

Shelters were designed by EiSat GmbH, Berlin [external link] and kleyer.kobltz.letzel.freivogel Architekten [external link]. The contracting authority is the Turkish Ministry of Science, Industry and Technology. The project is financed by the European Union.

Further Reading
“Membran-Schutzdach für Göbekli Tepe, Türkei” [external link] – project description by EiSat GmbH for the first shelter.

“Schutzdach 2 für die Ausgrabungen am Göbekli Tepe, Türkei” [external link] – project description by EiSat GmbH for the second shelter.

L. Clare, O. Dietrich, J. Notroff, Die Arbeiten der Jahre 2014 (Herbst) und 2015 [external link], e-Forschungsberichte des Deutschen Archäologischen Instituts 3/2015, 149-151.

Could we really call it a ‘temple’?

Of course, magazines have to sell stories – and superlatives always are a good argument in this case. People just love to hear about the biggest, oldest, and most spectacular. And what could be more spectecular than a headline like “The Oldest Temples in the World”? That’s how you sell a find, don’t you? Yet, as scientists we need to show some healthy reservation – in particular when dealing with such phrases and terms which obviously have developed a certain history on their own. It’s all too easy to make up a good story or ‘hypothesis’, but substantiating such proposition is where real research actually starts.

Against the background of the historical definition of ancient Roman or Greek or Near Eastern temples for instance, this peculiar type of building implicitly forms places to worship a deity or deities in our language use – the existence of this concept of ‘divinity’ is crucial to the temple as home of a god or goddesses in antiquity. It is a futile task trying to answer this complex question based on the archaeological record exclusively. We know to identify the temples of ancient Rome and Greece and the Near East and to name the gods these were housing due to the written record those cultures have left to us. Delving deep into the prehistory of the Anatolian Neolithic, however, confronts us with a sudden lack of any sources other than the material record. The challenge in relying to physically tangible sources solely to grasp rather spiritual concepts is obvious. Yet, the material culture of Göbekli Tepe and related sites and the elements of monumental architecture in particular may offer a lead worth following.

Main excavation area with monumental PPN A enclosures (Photo: N. Becker, DAI).

The T-shaped pillars forming the major and most prominent feature of Göbekli Tepe’s architecture need to play a crucial role in our observations here. While large and highly abstracted, they also clearly own human characteristics: some of these pillars show arms on their sides and hands brought together above the abdomen. There are elements of clothing depicted in relief as well: stola-like garments draped around pillars’ shoulders and fox-skin loincloths depicted dangling from belts. This emphasizes quite impressively that the T-pillars apparently have to be understood as monumental anthropomorphic sculptures. Most interestingly, however, is that they are always depicted faceless. There are no eyes, no nose or mouth present, these pillar-statues remain bereft of individuality on first glance – only to be distinguished, at least in the case of the central pillars of Enclosure D for example, by peculiar symbols below their heads – not unlike where one would wear necklaces. So, while still nameless to us, the Neolithic people may well have recognized who it was depicted here towering above them.

With a height of about 5.5 m it is particularly the T-pillars’ larger-than-life appearance which seems so remarkable – especially given that their highly abstract character is intentional and not to the result of deficient craftsmanship. Apart from the numerous animal sculptures uncovered at Göbekli Tepe, the so called ‘Urfa Man’ gives witness to Neolithic sculptors’ ability to portray the human body naturalistically. This oldest known statue of a man, about life-size, was found during construction work in the area of the Pre-Pottery Neolithic site of Urfa-Yeni Yol.  In contrast to the cubic and faceless T-pillars, whose identity and meaning apparently seems to a different one, ‘Urfa Man’ has a face, his eyes depicted by segments of black obsidian sunk into deep holes (a mouth, however, is missing). From Göbekli Tepe there are known several limestone-heads, too. They have a breaking edge in the neck area indicating that they originally were part of larger statues much like ‘Urfa Man’ himself.

So-called Urfa Man is considered the oldest known life-sized sculpture of a man (Photo: J. Notroff, DAI).

As already noted in the beginning, we know little of the beliefs these people might have followed, so it would seem rather bold to denote these monumental pillar-statues as personifications of ‘deities’. But faceless, larger than life and highly abstract, they clearly seem to be set on a quite different level than the naturalistic life-sized sculptures like ‘Urfa Man’ and the Göbekli Tepe stone heads. They seem to represent something more, supposedly something beyond the self-referential depiction of human beings. Together with the obviously narrative character of other depcitions on these T-pillars which clearly exceed simple decorative purposes, this perception feeds the impression that we are confronted here with a complex iconography – with mythological narrations probably even.

It is these T-pillars in particular which form the centre and most important element of the site of Göbekli Tepe, so they naturally become a strong argument in the interpretation of these enclosures as well. If we after all would like to call them ‘temples’ or still hesitate to use this term finally comes down to the definition one applies. But differing so noticeably from the well-known general types of contemporary settlement patterns (and also apparently lacking most of the material culture which is so typically for clearly domestic contexts), we confidently name these structures ‘communal’ or ‘special purpose buildings’ with all due scientifical propriety. This is even more compelling since apparently almost every settlement site of the period and region seems to have produced at least one comparable communal structure of similar design and layout. Only at Göbekli Tepe there is a noticeable cumulation of this peculiar building type – but this should be topic of another contribution.

Further reading
N. Becker, O. Dietrich, Th. Götzelt, Ç. Köksal-Schmidt, J. Notroff, K. Schmidt, Materialien zur Deutung der zentralen Pfeilerpaare des Göbekli Tepe und weiterer Orte des obermesopotamischen Frühneolithikums, Zeitschrift für Orient-Archäologie 5, 2012, 14-43.

O. Dietrich, J. Notroff, A sanctuary, or so fair a house? In defense of an archaeology of cult at Pre-Pottery Neolithic Göbekli Tepe, in: N. Lanerie (ed.), Defining the Sacred. Approaches to the Archaeology of Religion in the Near East. Oxford & Philadelphia 2015, 75-89.

J. Notroff, O. Dietrich, K. Schmidt, Gathering of the Dead? The Early Neolithic sanctuaries of Göbekli Tepe, Southeastern Turkey, in: C. Renfrew, M. J. Boyd and Iain Morley (eds.), Death Rituals, Social Order and the Archaeology of Immortality in the Ancient World. “Death Shall Have no Dominion”, Cambridge 2016, 65-81.

Göbekli Tepe – The first 20 Years of Research

Part 1: A (Re-) Discovery (1994-1996)

Beitrag Göbekli Tepe_Abb. 1

Göbekli Tepe before the start of excavations in 1995 (Photo O. Durgut, copyright DAI).

Göbekli Tepe was for the first time recognized as an archaeological site during a large-scale survey project conducted by the Universities of Istanbul and Chicago in 1963. In his account of work in the Urfa province, Peter Benedict describes the site as a cluster of mounds of reddish soil separated by depressions. The slopes were clustered with flint, and he described what he thought to be two small islamic cemeteries. The impressions of the survey team are mirrored in early aerial photographs of the site, taken before excavations started. The reddish-brown tell with its hight of up to 15m and a diameter of 300 m is the only colourful spot on the otherwise barren Germuş mountain range. Situated on the highest point of this geological feature, Göbekli Tepe is a prominent landmark at the edge of the Harran plain. The surveyors identified the materials at Göbekli Tepe as Neolithic, but missed the importance of the site. Further research may also not have seemed possible because of the assumed islamic graveyards.

Between 1983 and 1991 large-scale excavations, in fact rescue excavations in advance of the construction of the Atatürk barrage, were under way at another important Neolithic site in the Urfa region, Nevalı Çori. Under the direction of Harald Hauptmann, a Neolithic settlement was excavated that had large rectangular domestic buildings often similar to Cayönü´s channeled buildings. However, excavations revealed also one building (with three construction phases) that was completely different from anything known before in the Neolithic of the Near East. Not only was a large number of monumental stone sculptures discovered, but the rectangular building itself had T-or Gamma-shaped pillars running along the walls, interconnected by a bench, and a pair of T-shaped pillars in the centre. Due to the representation of arms and hands, these pillars could be understood as highly abstracted depictions of the human body.

Tree

The “wishing tree” at the highest point of Göbekli Tepe in 1995. The slopes of the tell are littered with finds (Photo M. Morsch, copyright DAI).

Nevalı Çori was finally flooded by the Atatürk Barrage in 1991. But one of the members of the excavation team, Klaus Schmidt (1953-2014), wanted to find out whether there were more settlements like Nevalı Çori hidden in the Urfa region, with special buildings and elaborated stone sculpture. In 1994 he visited all Neolithic sites mentioned in the literature. Drawing on the experience gained at Nevalı Çori, Schmidt was able to identify the ‘tombstones’ at Göbekli Tepe as Neolithic work-pieces and T-shaped pillars. The moment of discovery is best described in his own words [author’s translation based on Schmidt 2006]:

“October 1994, the land colored by the evening sun. We walked through slopy, rather difficult and confusing terrain, littered with large basalt blocks. No traces of prehistoric people visible, no walls, pottery sherds, stone tools. Doubts regarding the sense of this trip, like many before with the aim to survey prehistoric, in particular Stone Age sites, were growing slowly but inexorably. Back in the village, an old man had answered our questions whether there was a hill with çakmaktaşı, flint, in vicinity, with a surprisingly clear „Yes!“. And he had sent a boy to guide us to that place […]. We could drive only a small part of the way, at the edge of the basalt field we had to start walking […]. Our small group was made up of a taxi driver from the town, our young guide, Michael Morsch, a colleague from Heidelberg, and me. Finally we reached a small hill at the border of the basalt field, offering a panoramic view of a wide horizon. Still no archaeological traces, just those of sheep and goat flocks brought here to graze. But we had finally reached the end of the basalt field; now the barren limestone plateau lay in front of us. […] On the opposed hill a large mound towered above the flat plateau, divided by depressions into several hilltops. […] Was that the mound we were looking for? The ‘knocks’ of red soil Peter Benedict had described in his survey report, Göbekli Tepe, or to be more precise, Göbekli Tepe ziyaret? […] When we approached the flanks of the mound, the so far gray and bare limestone plateau suddenly began to glitter. A carpet of flint covered the bedrock, and sparkled in the afternoon sun, not unlike a snow cover in the winter sun. But this spectacular sight was not only caused by nature, humans had assisted in staging it. We assured ourselves several times: These were not flint nodules fragmented by the forces of nature, but flakes, blades and fragments of cores, in short artifacts. […] Other finds, in particular pottery, were absent. On the flanks of the mound the density of flint became lower. We reached the first long-stretched stone heaps, obviously accumulated here over decades by farmers clearing their fields […]. One of those heaps held a particularly large boulder. It was clearly worked and had a form that was easily recognizable: it was the T-shaped head of a pillar of the Nevalı Çori type…”.

S1

S1, the first test trench at Göbekli Tepe (Photo M. Morsch, copyright DAI).

At the moment of its re-discovery in 1994, Göbekli Tepe was nearly untouched by modern activities. The tell could be reached only by foot or horse. The only use, agriculture without deep ploughing, was documented by the extensive ‘walls’ of stones cleared from the fields. Due to heavy winter rains, the possibilities for agriculture are good throughout the region, but Göbekli Tepe is the only spot of arable land in the wider area.

Systematic survey preceded fieldwork. It resulted in a wide range of finds, including sculptures not unlike the ones already known from Nevalı Çori. Excavation work was initiated by Klaus Schmidt the following year, as a cooperative project with the Museum of Şanlıurfa under the direction of Adnan Mısır and the Istanbul branch of the German Archaeological Institute under the direction of Harald Hauptmann.

A first test trench was opened at the base of the southeastern slope, where a modern pit had been cut through a terrazzo floor. Already in this first excavation area a peculiarity of the site was recognized: the tell is not formed mainly of earth and loam. Göbekli Tepe’s sediments are largely made up of limestone cobbles, bones and flints, mixed with relatively little earth. The trench further revealed rectangular buildings characteristic for what was later determined as Layer II, dating to the early and middle PPN B. Two rests of pillars further confirmed the similarities between Göbekli Tepe and Nevalı Çori.

Anlage A

Enclosure A in 1997 (Photo M. Morsch, copyright DAI).

Excavation work did not continue in this area in the next year. During the first field season one of the landowners had started work to clear his field in the southeastern depression of stones that hindered ploughing. He had dug out the heads of two large T-shaped pillars and had already started to smash one pillar head with a sledgehammer. Fortunately he could be persuaded to stop, and in the 1996 work started in this area. What came to light here was the first of the monumental enclosures of Göbekli Tepe´s older layer (Layer III).

The ground plan of what was later called Enclosure A appears more rectangular than round. Pillars 1 and 2, the central pillars of Enclosure A nearly destroyed by the farmer, were excavated down to the level of the stone bench of the enclosure. Both pillars are richly adorned with reliefs. Particularly striking is a net-like pattern, possibly of snakes, on the left side of Pillar 1. The front side of this pillar carries a central groove running vertically from below the head to its base, covering about one third of its width. This groove and the raised bands to either side are decorated with five snakes in bas-relief. It is most likely that they represent a real object, some kind of stola-like garment.

Pillar 2 carries on its right side a vertical sequence of three motifs: bull, fox and crane. Its narrower back side is adorned with a bucranium between the vertical bands of a stola-like garment. Insights and experience gained in the last years, particularly with regard to typical motif-arrangement, suggests that Pillar 2 is not in its original position but was at some time moved to this secondary location. In the course of this action, the original back side of the pillar became its front and vice versa. Currently, the number of pillars surrounding the two central figures in Enclosure A lies at four.

The following field seasons have revealed astonishing features and finds at Göbekli Tepe that considerably have changed our image of complexity, creativity and organization of the last hunter-gatherers of southwest Asia.

To be continued – stay tuned for future posts on the fascinating history of research at Göbekli Tepe!

Read the full story here:
Klaus Schmidt, Sie bauten die ersten Tempel. Das rätselhafte Heiligtum der Steinzeitjäger. Die archäologische Entdeckung am Göbekli Tepe. C.H. Beck: München (2006).

Klaus Schmidt, Göbekli Tepe. A Stone Age Sanctuary in South-Eastern Anatolia. ex oriente e.V.: Berlin (2012).

The original survey report by Peter Benedict:
Benedict, Peter. 1980. “Survey Work in Southeastern Anatolia.” In İstanbul ve Chicago Üniversiteleri karma projesi güneydoğu anadolu tarihöncesi araştırmaları – The Joint Istanbul – Chicago Universities Prehistoric Research in Southeastern Anatolia, edited by Halet Çambel and Robert J. Braidwood, 150-91. Istanbul: University of Istanbul, Faculty of Letters Press.

On Nevalı Çori:
Hauptmann, Harald. 1988. “Nevalı Cori: Architektur.” Anatolica XV: 99-110.

Hauptmann, Harald. 1993. “Ein Kultgebäude in Nevali Çori.” In Between the Rivers and over the Mountains. Archaeologica Anatolica et Mesopotamica Alba Palmieri dedicata, edited by Marcella Frangipane, Harald Hauptmann, Mario Liverani, Paolo Matthiae and Machteld J. Mellink: 37-69. Rom: Gruppo Editoriale Internazionale-Roma.

Hauptmann, Harald. 1999. “The Urfa Region.” In Neolithic in Turkey, edited by Mehmet Özdoğan and Nezih Başgelen, 65-86. Istanbul: Arkeoloji ve Sanat Yayınları.

Who built Göbekli Tepe?

Well, the short answer would be: Stone Age people with Stone Age tools. Nothing more needed, no aliens, no giants, as you can read here. For an answer to the question, who these Stone Age people were, where they came from and lived (Göbekli Tepe is not a settlement), we will have to make the finds speak.

A point to start is the distribution of sites with similar architecture. Göbekli Tepe is not the only site with T-shaped pillars. Similar sites concentrate roughly between the Upper Balikh and the Upper Chabur rivers [read more here]. They clearly mark a region with similar cultural traits. However, the area the builders of Göbekli Tepe came from exceeds this region by far.

Gusir Höyük (Karul 2011, 2013) in the Turkish Tigris region has considerably widened the distribution area of circular enclosures. However, the pillars discovered there are slightly different, they miss the T-bar. Similar stelae have been discovered in Çayönu (Özdoğan 2011) and in Qermez Dere (Watkins et al. 1995). In addition to these two different architectonic regions, to the west, in northern Syria, a third distinct building style can be pointed out. Domestic sites like like Jerf el Ahmar, Mureybet or Tell ´Abr 3 (Stordeur et al. 2000; Yartah 2013) also have circular communal buildings. These are constructions with pisé walls and wooden supports however. Upper Mesopotamia can thus be differentiated by building traditions. But the common element is the existence of similarly arranged communal buildings, and, more important, of a range of common symbols.

Figure 2

Distribution of Göbekli Tepe´s iconography and of wild wheats (Map: T. Götzelt, Copyright DAI).

For example, shaft straighteners and plaquettes from Jerf el Ahmar (Stordeur & Abbès 2002) and Tell Qaramel (Mazurowski & Kanjou 2012), as well as Tell ´Abr 3 (Yartah 2013), and Körtik Tepe (Özkaya & Coşkun 2011) feature decorations in the form of snakes and scorpions, quadruped animals, insects, and birds strongly reminiscent of the iconography of Göbekli Tepe, where they appear not only on the pillars, but also on similar items.

Göbekli Tepe 2002

Plaquette with depiction of a snake, a human (?) and a bird (Photo Irmgard Wagner, Copyright DAI).

Most striking in this regard is a small plaquette from Göbekli Tepe. From the left to the right, it shows a snake moving upwards, a stylized human figure (?) with raised arms, and a bird. What makes this small find so interesting, is that the combination of depictions reappears not only in similar (e.g. in Jerf el Ahmar with a fox in place of the human-shape?), but also in completely and nearly identical form twice on another site, Tell Abr´3 in northern Syria (Köksal-Schmidt & Schmidt 2007; Yartah 2013, with images [external link]).

The same range of depictions of snakes, scorpions, quadrupeds, insects, and birds occurs on thin walled stone cups and bowls of the Hallan Çemi type (Rosenberg & Redding 2000). Fragments of this vessel type are known from Göbekli Tepe, Çayönü (Özdoğan 2011), Nevalı Çori, Jerf el Ahmar (Stordeur & Abbès 2002), Tell ´Abr 3 (Yartah 2013), and Tell Qaramel (Mazurowski & Kanjou 2012), while complete vessels have been discovered at Körtik Tepe in large numbers (Özkaya & Coşkun 2011) as part of rich grave inventories. Another connection is suggested by the zoomorphic scepters of the Nemrik type, which are present at Hallan Çemi, Nevalı Çori, Çayönü, Göbekli Tepe, Abu Hureyra, Mureybet, Jerf el Ahmar, and Dja´de (Kozłowski 2002).

We thus see a large area in Upper Mesopotamia connected by a similar iconography. While, as detailed above, several domestic sites show some aspects of this world, it concentrates at non-domestic Göbekli Tepe.

Göbekli Tepe

El-Khiam-, Helwan-, Nemrik- and Byblos-Points from Göbekli Tepe (Photo Irmgard Wagner, Copyright DAI).

The range of flint projectile points made on-site may further strengthen the impression of people from different areas gathering here (Schmidt 2001). PPN A types present at Göbekli Tepe include el-Khiam, Helwan and Aswad points; regarding the PPNB, Byblos and Nemrik points are very frequent, Nevalı Çori points are rare. Nemrik points have an eastern distribution pattern within the fertile crescent, el-Khiam and Byblos points are distributed to the west, within the Levant, Nevalı Çori points more to the north and the middle Euphrates area (Kozłowski 1999). It has to be stressed here that those points were not imported-the flint used is clearly local. At Göbekli Tepe, the whole reduction sequence is attested, although flint is not present at the limestone plateau, but had to be brought to the site from the surrounding valleys. Most of the primary production is based on naviform cores. Flint knapping took place in an abundance not known from contemporaneous sites. Maybe some characteristic of the place made it especially desirable to use points made there. Another possible point in favor of people from a larger area congregating at Göbekli Tepe is presented by raw material sourcing of the obsidian found onsite [read more here – external link].

So, to finally answer the question of who built Göbekli Tepe: Stone Age people coming from a radius of roughly 200km around the site. With Stone Age tools.

References

  • Karul, N. (2011). Gusir Höyük. In: Özdoğan, M., Başgelen, N. & Kuniholm, P. (eds), The Neolithic in Turkey 1. The Tigris Basin. Archaeology & Art Publications, Istanbul 1-17.
  • Karul, N. (2013). Gusir Höyük/Siirt. Yerleşik Avcılar. Arkeo Atlas 8, 22–29.
  • Kozłowski, S.K. (1999). The eastern wing of the Fertile Crescent. Late prehistory of Greater Mesopotamian lithic industries. Oxford: Archaeopress.
  • Kozłowski, S. K. (2002). Nemrik. An aceramic village in northern Irak. Warsaw: Institute of Archaeology Warsaw University.
  • Mazurowski, R.F., Kanjou, Y. (eds., 2012). Tell Qaramel 1999–2007. Protoneolithic and Early Pre-pottery Neolithic Settlement in Northern Syria. Warsaw: Polish Centre of Mediterranean Archaeology.
  • Özdoğan, A. (2011). Çayönü. In: M. Özdoğan, N. Başgelen & P. Kuniholm (eds.), The Neolithic in Turkey 1. The Tigris Basin. Istanbul: Archaeology and Art Publications, 185-269.
  • Özkaya, V. & Coşkun, A. (2011). Körtik Tepe. In: M. Özdoğan, N. Başgelen & P. Kuniholm (eds.), The Neolithic in Turkey 1. The Tigris Basin. Istanbul: Archaeology and Art Publications, 89-127.
  • Rosenberg, M. & Redding, R.W. (2000). Hallan Çemi and early village organization in Eastern Anatolia, in Kuijt, I. (ed.), Life in neolithic faming communities. Social organization, identity and differenziation. New York et. al.: Kluwer Academic / Plenum Publishers, 39-61.
  • Schmidt, K. (2001). Göbekli Tepe, Southeastern Turkey. A Preliminary Report on the 1995-1999 Excavations. Paléorient 26/1, 45-54.
  • Stordeur D. & Abbès. F. (2002). Du PPNA au PPNB: mise en lumière d’une phase de transition à Jerf el Ahmar (Syrie). Bulletin de la Société Préhistorique Française, 99(3), 563-595.
  • Stordeur, D., Brenet, M., Der Aprahamian, G. & Roux, J.-C. (2000). Les bâtiments communautaires de Jerf el Ahmar et Mureybet horizon PPNA (Syrie). Paléorient 26, 1, 29-44.
  • Watkins, T., Betts, A., Dobney, K. & Nesbitt. M. (1995). Qermez Dere, Tel Afar, north Iraq: third interim report, in T. Watkins (ed.) Qermez Dere, Tel Afar, north Iraq: interim report no 3. Edinburgh: Department of Archaeology, University of Edinburgh, 1–9.
  • Yartah, T. (2013). Vie quotidienne, vie communautaire et symbolique à Tell´Abr 3 – Syrie du Nord. Données nouvelles et nouvelles réflexions sur L´horizon PPNA au nord du Levant 10000-9000 BP. Unpublished PhD Thesis, Lyon.

Further Reading (links to fulltexts)

  • Dietrich, O., Heun, M., Notroff, J., Schmidt, K. & Zarnkow, M. (2012). The Role of Cult and Feasting in the Emergence of Neolithic Communities. New Evidence from Göbekli Tepe, South-eastern Turkey. Antiquity 86, 674-695.
  • Köksal-Schmidt, Ç & Schmidt, K. (2007). Perlen, Steingefäße, Zeichentäfelchen. Handwerkliche Spezialisierung und steinzeitliches Symbolsystem. In: Badisches Landesmuseum Karlsruhe (ed.), Vor 12000 Jahren in Anatolien. Die ältesten Monumente der Menschheit, Stuttgart, 97-109.
  • Schmidt, K. (2005). “Ritual Centres” and the Neolithisation of Upper Mesopotamia. Neo-Lithics 2/05, 13-21.

On Air: National Geographic’s “Story of God” (now in German too)

“The Story of God” [external link], a documentary series hosted by actor Morgan Freeman and produced by the National Geographic Channel [external link] on the question how religion connects people and where the power of belief actually comes from, is now also aired in German.

In Episode 3 “Das Rätsel der Schöpfung” [external link] the roots of ritual and religion are traced back to the Pre-Pottery Neolithic of the Near East – and among the sites discussed and featured, Göbekli Tepe plays a role as well.

Broadcast dates and reruns can be found on National Geographic Channel’s German website [external link] regarding the show.

The current distribution of sites with T-shaped pillars

Current distribution of sites with T-shaped pillars and with simple limestone stelae (modified after Schmidt 2006; Copyright DAI).

The characteristic element of Göbekli Tepe´s architecture are the T-shaped pillars. In the older Layer III (10th millenium BC) the monolithic pillars weigh tons and reach heights between 4 m (pillars in the stone circles) and 5.5 m (central pillars). The T-shape of the pillars is clearly an abstract depiction of the human body seen from the side. Evidence for this interpretation are the low relief depictions of arms, hands and items of clothing like belts and loinclothes on some of the pillars. Often the pillars bear further reliefs, mostly depictions of animals, but also of numerous abstract symbols.
Layer III is supraposed by layer II, dating to the 9th millenium BC. This layer is not characterised by big round enclosures, but by smaller, rectangular buildings. The number and the height of the pillars are also reduced. In most cases only the two central pillars remain, the biggest measuring around 1,5 m.

The large pillars are so far only known from Göbekli Tepe. This may change over time however, as there now are several sites that show smaller pillars, resembling those of Göbekli Tepe´s younger layer. T-shaped pillars resembling the smaller examples from Göbekli Tepe’s Layer II were first recorded at the settlement site of Nevalı Çori. Several more sites in the near vicinity of Göbekli – Sefer Tepe, Karahan, and Hamzan Tepe – are known to have similar pillars, but no excavation work has been carried out so far. With the Neolithic site of Urfa-Yeni Yol, which seems to have revealed a small T-shaped pillar in the course of construction work in that area, with Taşlı Tepe, and with Gusir Höyük three more related sites were added to this list recently. A further addition to the sites with T-shapes is the so-called Kilisik statue, that closely resembles the general pillar form but has more naturalistic features [find a text by Marc Verhoeven on this find here – external link].

While most sites concentrate in a rather small radius around Göbekli Tepe, Gusir Höyük in the Turkish Tigris region [more information – external link] has considerably widened the distribution area of circular enclosures, however the pillars discovered there are slightly differently shaped – they seem to be missing the bar of the T. Similar stelae have been discovered in Cayönü and Qermez Dere. As only Gusir Höyük has been excavated, nobody can tell at the moment what the other sites might hide.

Further reading
Çelik, Bahattin. 2011a. “Karahan Tepe: a new cultural centre in the Urfa area in Turkey.” Documenta Praehistorica 38: 241–253.

Çelik, Bahattin. 2011b. “Şanlıurfa—Yeni Mahalle.” In The Neolithic in Turkey 2. The Euphrates Basin, edited by Mehmet Özdoğan, Nezih Başgelen and Peter Kuniholm, 139–164. Archaeology & Art Publications, Istanbul.

Çelik, Bahattin, Güler, Mustafa, Güler, Gül. 2011. A new Pre-Pottery Neolithic settlement in southeastern Turkey: Taşlı Tepe. Anadolu / Anatolia 37: 225-236.

Hauptmann, Harald. 1988. “Nevalı Cori: Architektur.” Anatolica XV: 99-110.

Karul, Necmi. 2011. “Gusir Höyük.” In The Neolithic in Turkey 1. The Tigris Basin, edited by Mehmet Özdoğan, Nezih Başgelen and Peter Kuniholm, 1–17. Archaeology & Art Publications, Istanbul.

Karul, Necmi. 2013. “Gusir Höyük/Siirt. Yerleşik Avcılar.” Arkeo Atlas 8: 22–29.

Moetz, Fevzi K. and Bahattin Çelik 2012. “T‑shaped pillar sites in the landscape around Urfa.” In Proceedings of the 7th International Congress on the Archaeology of the Ancient Near East, edited by Roger Matthews and John Curtis, 695–703. Harrassowitz Verlag, Wiesbaden.

On Air: WDR’s “Quarks und Co”

We are pleased to announce that next week’s episode of German science magazine “Quarks und Co” [external link] broadcasted by WDR and titled “7 Dinge wie wir wurden, was wir sind” [external link] (7 things how we became what we are) about Neolithic innovations will also feature research of the Göbekli Tepe project. The site and our excavations will be topic of the short film contribution “Der erste Tempel der Menschheit” [external link] (The first temple of humankind) by author Ingo Knopf.

The show (in German language) will be aired Tuesday, May 10th 2016 at 21:00 (9:00 pm CEST) on WDR.

Losing your head at Göbekli Tepe

Just back from this year´s ICAANE in Vienna, where a very inspiring workshop on the “Iconography and Symbolic Meaning of the Human in Near Eastern Prehistory” was organized by Jörg Becker, Claudia Beuger and Bernd Müller-Neuhof. As publication of the contributions will take some time, here is a small summary of our musings on anthropomorphic imagery at Göbekli Tepe.

Göbekli Tepe is a special site in many respects: its location is hostile to settlement, no water sources are in vicinity; clear evidence for domestic building types missing so far in Layer III; only selection of material culture is present (very few bone tools, clay figurines absent); and there is a considerable investment of resources and work. This investment was not only made in building Göbekli Tepe. At the end of their uselifes, all buildings of layer III (PPN A, 10th millennium) were at least partially intentionally backfilled. The filling consists of limestone rubble from the neolithic quarry areas on the adjacent plateaus, mixed with large quantities of animal bones, flint debitage, artefacts and tools. Before backfilling started, it seems that the buildings were cleaned. If roofs should have existed, they were dismantled at that time, because absolutely no traces of them were found.

The backfilling obviously is a limiting factor for our understanding of the function of the enclosures, as very few in situ deposits connected to the use-time of the buildings remain. However, it seems that the backfilling was a very structured process that included certain deliberate acts. Between them, the deposition of artefacts and sculptures [here, here, here, and here] inside the filling, often next to the pillars, is most striking.

Figure 8

Deposition of a boar sculpture an stone plates next to one of the central npillars of Enclosure C (Photo: K. Schmidt, Copyright DAI).

So, at Göbekli Tepe we do not know very much about the actual usetime of the buildings. We have however the enclosures themselves, their layout, and the richly decorated pillars as starting points. And we know a lot of the things people did with these enclosures at the end of their uselife. It seems that they tried to highlight certain aspects of the enclosures´ meaning through their actions.

Göbekli Tepe_Fig. 3

Western central pillar of Enclosure D (Photo: N. Becker, Copyright DAI).

There are several different categories of human imagery at Göbekli Tepe. Most impressive are the T-shaped pillars. The T-shape is clearly an abstract depiction of the human body seen from the side. Evidence for this interpretation are the low relief depictions of arms, hands and items of clothing like belts and loinclothes on some of the central pillars. There is a clear hierarchy of pillars inside the enclosures. The central pillars are up to 5,5 m high, they have the already described anthropomorphic elements. The surrounding pillars are smaller, but more richly decorated with animal reliefs than the central ones. They are always „looking“ towards the central pillars, and the benches between them further amplify the impression of a gathering of some sort. Whether we are dealing with depictions of ancestors of different importance, or even of gods, would be a topic for itself and an answer is hard to find at the moment.
What is clear however is that both central and surrounding pillars share the abstracted form. This abstraction is not due to the limited skills of Neolithic people in depicting the human body. It is a deliberate choice that has a meaning.

Abb. 3--GT14_1785-1786_5979

Anthropomorphic sculpture; torso and head, limestone. The only case in which fitting fragments of an anthropomorphic sculpture were found at Göbekli Tepe  (Photo: N. Becker, Copyright DAI).

The other important category of depictions are more naturalistic sculptures. A total of 143 sculptures was found so far at Göbekli Tepe. Of those, 84 depict animals, 43 humans, 3 phalli and 5 are human-animal composite sculptures. It is striking that most anthropomorphic sculpture at Göbekli Tepe is fragmented. Of the 43 human-shaped depictions, only 9 can be regarded as complete, if we do not take smaller damages into account. What is also striking is that – in spite of large-scale excavations – there is only one case in which fitting fragments were found. If we have a closer look at the fragments preserved, a pattern emerges. The fragments preserved in the highest numbers are heads, not the often bigger torsi. The large number of broken off heads, and the regulated fractures, speak in favor of intentional fragmentation.

Göbekli_ZOrA_Abb. 17

A selection of anthropomorphic heads from Göbekli Tepe (Photos: DAI).

Further, the heads were not discarded randomly. They were deposited carefully in the enclosure fillings, often next to pillars. Their treatment is similar to zoomorphic sculpture in this respect. However, zoomorphic depictions are most often complete, there is no indication of intentional damage. So while deposition patterns are similar, pre-deposition treatment is not. Human heads seem to have had a special role in the beliefs connected with the enclosures.

Göbekli_ZOrA_Abb. 21

Distribution of sculptures in the main excavation area of Göbekli Tepe (Map: Thomas Götzelt, Graphics N. Becker, Copyright DAI).

The special role of separated human heads is also visible in Göbekli Tepe´s reliefs. Immediately behind the eastern central pillar of Enclosure D the fragment of a relief was found. It shows a human head among several animals – a vulture and a hyena can be clearly identified. Another example is Pillar 43, also in Enclosure D. There, a headless ithyphallic body is depicted among several birds, snakes and a large scorpion. The interaction of animals with human heads is even clearer from several composite sculptures discovered at Göbekli Tepe. They show birds, but also quadrupeds sitting on top of human heads or carrying them away. A relation of this kind of iconography with early Neolithic death rite and cult is evident.

The special treatment and the removal of skulls is well-attested for the PPN. One of the most remarkable examples is the skull building from Cayönü. At this site, the situation is very much opposed to Göbekli Tepe however. There are lots of burials, but only a few anthropomorphic depictions. At Nevali Cori, burials with separated skulls, in one case with a flint dagger still in place, were discovered, but also an imagery that is very similar to Göbekli Tepe. For example, the so-called totempole shows a bird sitting on a human head. There is also a larger number of limestone heads from Nevali Cori, mirroring the situation at Göbekli Tepe to some degree. Of course, one could also add the special treatment of human heads in many southern Levantine sites, but also at Köşk Höyük and Catalhöyük here. At Catalhöyük, we find many of the elements observable at Göbekli Tepe still in place in a much later context. This includes iconography of birds carrying away human heads, special treatment of heads in burials and figurines with intentionally broken off heads, or with heads designed from the start to be taken off.

To sum up, at Göbekli Tepe there is evidence of a hierarchy of anthropomorphic depictions. The central pillars of the enclosures are abstracted and clearly characterized as anthropomorphic by arms hands, and items of clothing. The surrounding pillars are also abstracted, but smaller, and show mainly zoomorphic decorations. They are looking towards the central pillars and evoke the association of a gathering.
Naturalistic anthropomorphic sculpture is smaller and intentionally fragmented. During backfilling of the enclosures, a selection of fragments, mostly heads, was placed inside the filling, most often near the central pillars. This practise is highly evocative of elements of neolithic death cult that also reflects in Göbekli´s iconography.
It seems that the abstracted pillar-beings represent another sphere than the naturalistic sculptures. Zoomorphic and anthropomorphic sculpture is placed next to them. The connection to death rites could indicate that the pillars belong to that sphere. Whether we are dealing with depictions of important ancestors here, and whether the deposition practice of fragmented sculpture, and, during the use-time of the enclosures, possibly human heads- vizualizes that new members are added to this group, remains a question for further studies.

Further reading:
Nico Becker, Oliver Dietrich, Thomas Götzelt, Cigdem Köksal-Schmidt, Jens Notroff, Klaus Schmidt, Materialien zur Deutung der zentralen Pfeilerpaare des Göbekli Tepe und weiterer Orte des obermesopotamischen Frühneolithikums, ZORA 5, 2012, 14-43.

Jens Notroff, Oliver Dietrich, Klaus Schmidt, Gathering of the Dead? The Early Neolithic sanctuaries of Göbekli Tepe, Southeastern Turkey, in: Colin Renfrew, Michael Boyd and Iain Morley (Hrsg.), Death shall have no Dominion: The Archaeology of Mortality and Immortality – A Worldwide Perspective. Cambridge: Cambridge University Press (2016), 65-81.

On Çayönü:
Özdoğan, Mehmet and Aslı Özdoğan .1989. „Çayönü. A Conspectus of recent work.“ Paléorient 15: 65-74.

Özdoğan, Mehmet and Aslı Özdoğan .1998. „Buildings of cult and the cult of buildings.“ In Light on top of the Black Hill. Studies presented to Halet Çambel, edited by Güven Arsebük, Machteld J. Mellink and Wulf Schirmer, 581-601. Istanbul: Ege Yayınları.

Özdoğan, Aslı. 2011. “Çayönü.” In The Neolithic in Turkey 1. The Tigris Basin, edited by Mehmet Özdoğan, Nezih Başgelen and Peter Kuniholm, 185-269. Istanbul: Archaeology and Art Publications.

Schirmer, Wulf. 1988. „Zu den Bauten des Çayönü Tepesi.“ Anatolica XV, 139-159.

Schirmer, Wulf. 1990. “Some aspects of buildings at the “aceramic-neolithic” settlement of Çayönü Tepesi.” World Archaeology 21, 3: 363-387.

On Nevalı Çori:
Hauptmann, Harald. 1988. “Nevalı Cori: Architektur.” Anatolica XV: 99-110.

Hauptmann, Harald. 1993. “Ein Kultgebäude in Nevali Çori.” In Between the Rivers and over the Mountains. Archaeologica Anatolica et Mesopotamica Alba Palmieri dedicata, edited by Marcella Frangipane, Harald Hauptmann, Mario Liverani, Paolo Matthiae and Machteld J. Mellink: 37-69. Rom: Gruppo Editoriale Internazionale-Roma.

Hauptmann, Harald. 1999. “The Urfa Region.” In Neolithic in Turkey, edited by Mehmet Özdoğan and Nezih Başgelen, 65-86. Istanbul: Arkeoloji ve Sanat Yayınları.

On Çatalhöyük:
Hodder, I. 2011. Çatalhöyük. The Leopard´s Tale. London: Thames and Hudson.

On Neolithic death and skull cult (just a few points to start from, there is vast literature on this):
Bienert, H.-D. 1991. Skull Cult in the Prehistoric Near East, Journal of Prehistoric Religion 5, 9-23.

Bonogofsky, M. 2005. A bioarchaeological study of plastered skulls from Anatolia: New discoveries and interpretations, International Journal of Osteoarchaeology 15, 124-135.

Croucher, K. 2012. Death and Dying in the Neolithic Near East. Oxford: Oxford University Press.

Lichter, C. 2007. Geschnitten oder am Stück? Totenritual und Leichenbehandlung im jungsteinzeitlichen Anatolien, in: Badisches Landesmuseum Karlsruhe (Hrsg.), Vor 12000 Jahren in Anatolien. Die ältesten Monumente der Menschheit. Begleitband zur großen Landesaustellung Baden-Württemberg im Badischen Landesmuseum 2007, 246-257.

Upcoming: Trade Before Civilization Conference

Between May 27-29, 2016, a conference on “Trade before Civilization” will be held at the University of Gothenburg. Our Contribution will be on “Long Distance Exchange of Goods and Ideas and Early Social Complexity in the Early Neolithic of the Near East.” [Conference Program – external link]

Conference description (from Conference Website – external link)

The role that long distance exchange may have played in the advent of social complexity has been an important topic of debate among scholars. While many efforts have shed valuable light on the genesis of social complexity, many models put forth seek to understand the topic at hand through the narrow lenses of their respective disciplines. Moreover, many studies limit their investigations to a constricted geographical analysis. That is to say that with relatively few exceptions, many investigations fail to incorporate interdisciplinary perspectives and do not extend their analysis to encompass broad regions. The lack of interdisciplinary perspective and relatively narrow geographical focus characterizing many recent studies limits the explanatory scope and potential of these scholarly activities. The Trade Before Civilizationconference explores, from an interdisciplinary perspective, the role that long distance trade may have played in the establishment and/or maintenance of social complexity in transegalitarian and chiefdom level societies. This conference brings together scholars of diverse nationalities, disciplines and theoretical perspectives which is conducive to the cross-fertilization of ideas. Symposium participants include a cadre of world renowned archaeologists, social and cultural anthropologists, ethnohistorians, and historical sociologists. In order to expand the multidisciplinary breadth, global scope, and theoretical perspectives deemed essential to a more comprehensive treatment of the topic under consideration, research papers on European, Asian, African, Oceanian, North American, and South American sites/case studies are included in this conference.

To light or not to…

Vergl

The relief on Pillar 51 in Enclosure H under different light conditions: at the moment of discovery with hard light from one side, on a cloudy day, and a night shot with directed light (Photos: N. Becker, (c) DAI).

Photographs are far from objective. They suggest meaning through the selection of the scene, but also through a certain perspective, focal point, light. Everyone who has held a camera in hands will agree on this, and it is also true for archaeological photographs.Many photos from Göbekli Tepe that you will see on this website or in publications were taken using artificial lighting. Often the background is black. This may be perceived as the attempt to create a certain mood. The objects, pillars and reliefs may appear more enigmatic, gloomy, related to another realm. As we interpret Göbekli Tepe as a site associated with Neolithic cult and religion, this would certainly fit.

Pfeiler 18 mit Podest 2

A possibility for “objective” documentation? 3D-scan of Pillar 18 in Enclosure D (Graphics :Hochschule Karlsruhe, (c) DAI).

The explanation for the use of artificial lighting is another one however. Apart from some photographs, where it really was done for artistic reasons (see for example Berthold Steinhilber´s lightworks of Göbekli Tepe-external link), directed light is necessary in many cases to enhance the details of reliefs and surfaces in general.
If you visit Göbekli Tepe around the afternoon, like many people do, you could be slightly disappointed. Due to the sun´s position, many reliefs will not be visible very well. Some you will not be able see at all. Nearly every pillar at Göbekli Tepe has its “own time“, when reliefs will be best visible. Not in all cases really good, but best under direct sunlight conditions. Moreover, this “best moment” may also coincide with heavy shadows on other parts of the pillar. This is why night shots with directed light are the better choice in many cases.
Direct sunlight may also not have been the way the pillars were illuminated during Neolithic rituals. They do not seem to be made for this. The question whether the enclosures were roofed is still under debate, but there is also the possibility that activities took place after sunset and the reliefs were illuminated dramatically by fire.
But indifferent of this question, we are absolutely aware of the “dramatic” atmosphere generated in these pictures. And it turned out that some journals, including a few aimed at a scientific audience, liked the night shots much better than even good daylight images. It is clear that the images we use to describe a site or a find are not neutral. They can imply an interpretation of the site or of the artefact in question, or at least subtly influence the reader´s perception. Even a very neutral image, let´s say of an axe, with a white background and a scale, sends a message: that of absolute scientific objectivity.

So, here is the big question: How should we, as archaeologists, use images?

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